A month before The Forgetting Flower came out, I took on a 30-Day blogging challenge: publish posts on my blog for 30 days straight. It was a difficult exercise. I had to come up with decent content every day and even though I planned out my topics ahead of time, I had to squeeze in a post at the last minute several times. But overall, it was a fruitful experience. I learned a lot! Here’s what I can share about it.
Read MoreHow an Odd Stain on a Sidewalk in Russia Inspired My Novel
It was late afternoon in St. Petersburg, Russia. A cloudy day but warm. I was walking back to the inn where I was staying for a writer’s workshop through the Summer Literary Seminars program. Soon, I came to a strange dried puddle on the sidewalk and almost stepped in it. I had to take a wide turn into the street to go around. Red and crusted, about a two-foot-wide blob, I thought it was paint. I looked up at the […]
Read MoreThe Importance of Writer Tribes in a Creative’s Life
I’ve been thinking a lot about tribes and how important they are in a writer’s life. Writers are often solitary beings so joining a group, any kind of group, can be stressful and intimidating. We writers write because writing is easier than interacting. Not for everyone, I know, but it’s certainly the case for me. So while I’m a writer who enjoys being alone, I also yearn to connect with people. Not often, probably far less than others, but I […]
Read MoreThe Best Book on Writing Emotion in Fiction
There are a lot of books that will teach you how to write fiction. And the best ones not only address the craft of storytelling but the issues beneath the story’s surface. A main character’s wound, the overarching theme, internal versus external conflicts. But the key to a really compelling novel is expression emotion in fiction. And that’s the hardest piece to put on the page.
Read MoreAnne Lamott’s Advice on Finding the Truth
Bird by Bird is an outstanding craft book for writers. Novelist and memoirist Ann Lamott covers the various aspects of writing: the nuts and bolts of craft to broader, more abstract issues. She talks about the importance of getting the sh*tty first draft on paper before diving into the mechanics of plot, dialogue, character, etc. She tackles perfectionism, finding your voice, and the let downs of publication. It’s a wise and witty manual for any writer, experienced or not. I highly recommend it.
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