I was passing by our local art gallery the other day, feeling rushed and worried. Then I noticed these gorgeous paintings. They’re a collaboration by Cindra Avery and Melissa Newell who are both local Northwest artists. I couldn’t stop gazing at these magnificent paintings of leaves. They locked me into a trance of admiration. I felt my breath slow, my vision calm. After a few moments, I walked away, reminded of how much a few plant paintings can lower stress and soothe the soul.
Collaborative by Nature
The pieces together are called “Collaborative by Nature.” As the artists say, “It represents a six-year creative collaboration focused on the natural world. The impetus for this work was based on our shared interests in gardening, birds, collage and mixed media design.”
The artists describe how the theme emerged organically: “We passed pieces back and forth until both of us felt we had fully explored the material, the surfaces, and finally, the meaning. When we first started this experiment in creative collaboration, we were often surprised and a bit unnerved by the work we received and briefly left with ‘What am I supposed to do?’ … Over time our pieces and work evolved, with each of us responding to the marks, color use and forms as we pushed each other in new directions.”
They’re Just Leaves But…
What is it about an artistic manifestation of plants that’s so alluring? After all, the actual subjects are just leaves. But something in my brain locked onto those recognizable images and then studied their unique curvatures, textures, and color. It was as if I’d seen those plants and yet hadn’t seen them. Avery and Newell had rendered their essence in the plant paintings but via an elevated interpretation that offered something wholly new to the world.
If you’d like to learn more about these wonderful artists, check out Melissa’s website here.
Today I wanted to share the lovely bread art I came across online. It shows a fun way to put plant art in food and play for the sake of play. It also offers a new idea for getting some stress releaf. With chives, basil, peppers, onions, olives, and all else, you can use plants to create a beautiful bouquet of flowers in focaccia bread. It’s almost too pretty to eat!
The trend began with Vineyard Baker on Instagram, who as she says puts the art in artisan bread. She has several great ideas for plant art in food, including dessert breads, which use fruit and nuts. Afterward, Elizabeth at Sugar Geek Show showed us a great basic recipe for baking a bouquet into bread. Apparently, it’s fairly easy. You stretch your focaccia bread into the edges of a sheet pan so it makes a rectangular canvas, then let it rise, then decorate and bake. I love it!
I haven’t tried it yet but I’d like to. I imagine you could use certain vegetables, herbs, and spices if you want more of an Italian flavor, Mexi flavor, Middle Eastern, etc. I might experiment with my daughter this weekend. If you try it, let me know. I love it when people get creative with plants!
Any artist has experienced this: you finally get an afternoon to yourself where life is free of distractions, kids, responsibilities, chores, etc. You have a long stretch of time to create something new. It’s a time where you can relax and enter a silent space to produce a work of art, whether it be painting, knitting, jewelry, etc. The idea of it is exciting. You may even look forward to it, can’t wait for it, in fact. But then, when the time comes, you’re not in the mood.
I’ve experienced this. I’ve blocked off time on my calendar and no person or event has gotten in the way of my time. Yet, when I was supposed to sit down and, in my case, write, I got in the way. I felt antsy. I felt social, like I wanted to watch TV or listen to loud music or do all of the laundry that was backed up. It’s a strange process, how our minds work, and it’s sometimes contradictory and inexplicable.
The Satisfaction of Self-sabotage
When I’ve switched plans and done the busier or social or what I’ve come to realize is external, superficial stuff, I’ve always enjoyed it at the moment but regretted it later. Yes, I finally cleaned out the broom closet or caught up by phone with a long-distance friend or even napped on the couch, but in the end, I felt empty and a touch remorseful. Why didn’t I stick to my plan?
New York Times writer Tim Herrera answered this question awhile back. Put simply, we’re procrastinating. And why are we procrastinating? Because we put off big tasks that require deep thinking and intense focus while being ready to conquer all that is small and easy. Of course, knowing that only helps to fix the problem a bit.
So, according to Herrera, we must at least acknowledge our resistance. Once we do that, then we have the opportunity to change it. We don’t have to change, we can plunge forward into doing the laundry but we don’t have to. And sometimes taking a step back and understanding what’s happening leads us to change.
How to Purge Procrastination
So how to change exactly? Well, here are seven ways I’ve come up with to get myself into creative mode when I want to do anything else but be creative.
- Make a deal with myself to work for an hour. This is a good one. I use it for gardening tasks I don’t want to do outside. I check the clock and just start writing. Oftentimes, I write nonsense and stuff that’s not usable later, but more often than not, I descend into that focused space and land on a portion of work that I do use later. What’s more, this trick often leads me into a second or even third hour of deep attention.
- Read a work by a master. I tell myself that I don’t necessarily need to write War and Peace that afternoon, but it counts if I read some of it. So, I do. And reading a master always puts me in the mood to try to become one. I hear a beautiful voice and it inspires me to find my own.
- Reward yourself. I make a cup of tea or put a cookie on a plate or get out a yummy blanket and indulge. I’ve earned it after all, I tell myself, as I settle into my favorite chair. Have I really earned it? Of course not, but that’s the tricking part. My mind believes it at the moment and then, when I begin to sip and type away, I gradually forget about the reward object and start focusing on the art.
- Exercise in a favorite way. I have a stationary bike in my basement. If I’m restless or resistant to creating, I go downstairs and ride the bike for 15 minutes. Or get outside and walk down the street. It’s amazing how a short amount of exercise resets your brain into a clearer, more peaceful, and capable place.
- Aim to accomplish a small goal. This relates to the one-hour approach. In other words, break the task into smaller pieces. If you don’t draw that series of dog portraits that’s been rolling around in your mind, try drawing a sketch of one dog. Or a snout. Make it simple, make it even a list of the dogs you’ll portray. Dive into a piece of the project. Sometimes your heart rate slows and you’ll drop into a focused state that carries you much further creatively than you expected.
- Imagine how you’ll feel later. Take a moment and literally imagine how you’ll feel in a few hours if you don’t do that deep, artistic work but rather superficial, external stuff. Imagine what you’ll think of yourself. Then imagine how you’ll feel if you do engage in the deep, artistic work. Then your logical mind may be able to overrule your impulses and get you behind that table or laptop or into the studio.
- Meditate. A few years ago, I wrote about how directed meditation helps me solve creative issues when I’m stuck. Even if you’re not a writer, the technique can still be fruitful. You basically sit in a chair, close your eyes, and breathe deeply. Try not to think any thoughts. If you do have thoughts, breathe them away, unless they’re about the art at hand. Then see where the thoughts lead. You may find you’re eager to open your eyes and get to work.
In the end, we’re only human. There are plenty of times when I’ve succumbed to the external, superficial stuff. It’s just what my brain wanted at the time. Instant gratification. An escape from a more difficult but satisfying experience. Still, over the years, I’ve learned to train myself with these techniques, and with each time I was successful and got into a deep, artistic space, I found the following times were easier to get into. And so, I wish you luck and long stretches of free time.
Last Saturday, I saw a movie about comedy that inspired me as a writer. It was Mike Birbiglia’s Don’t Think Twice, a sharply realistic yet sweet portrait of a New York improv group. They’re unknown comedians who make people laugh by night but work by day to stay afloat. And they’re friends, and smart, and loving, and sometimes selfish. They’ve performed in The Commune for years but when the manager of the theater announces the building’s been sold and the theater is closing, they are squeezed by change. Often, that squeezing is uncomfortable to watch.